1967: Born on planet earth as not picture perfect material.
1977: Removed the washing machine and dryer from my parents washing room into the garage when they went away for a few hours and turned it into my OWN personal dark room.
1988: Started a career as a cameraman.
2006: Burned out.
2007: Restarted my first exhibition at the local cultural centre of my home town.
2008: Exposition at the local home town famous Belgian festival “ Lokerese feesten “ and suddenly the music of bands like “ massive attack ” and “ Felix the housecat “ was not the only thing people talked about.
2012: Serveral art fairs and exhibitions in Antwerp and i fell in love with the town, the scenery, the people and photography became the love of my life
2013: Went international, not commercial.
1967: Born on planet earth as not picture perfect material.
1977: Removed the washing machine and dryer from my parents washing room into the garage when they went away for a few hours and turned it into my OWN personal dark room.
1988: Started a career as a cameraman.
2006: Burned out.
2007: Restarted my first exhibition at the local cultural centre of my home town.
2008: Exposition at the local home town famous Belgian festival “ Lokerese feesten “ and suddenly the music of bands like “ massive attack ” and “ Felix the housecat “ was not the only thing people talked about.
2012: Serveral art fairs and exhibitions in Antwerp and i fell in love with the town, the scenery, the people and photography became the love of my life
2013: Went international, not commercial.
1967: Born on planet earth as not picture perfect material.
1977: Removed the washing machine and dryer from my parents washing room into the garage when they went away for a few hours and turned it into my OWN personal dark room.
1988: Started a career as a cameraman.
2006: Burned out.
2007: Restarted my first exhibition at the local cultural centre of my home town.
2008: Exposition at the local home town famous Belgian festival “ Lokerese feesten “ and suddenly the music of bands like “ massive attack ” and “ Felix the housecat “ was not the only thing people talked about.
2012: Serveral art fairs and exhibitions in Antwerp and i fell in love with the town, the scenery, the people and photography became the love of my life
2013: Went international, not commercial.
1967: Born on planet earth as not picture perfect material.
1977: Removed the washing machine and dryer from my parents washing room into the garage when they went away for a few hours and turned it into my OWN personal dark room.
1988: Started a career as a cameraman.
2006: Burned out.
2007: Restarted my first exhibition at the local cultural centre of my home town.
2008: Exposition at the local home town famous Belgian festival “ Lokerese feesten “ and suddenly the music of bands like “ massive attack ” and “ Felix the housecat “ was not the only thing people talked about.
2012: Serveral art fairs and exhibitions in Antwerp and i fell in love with the town, the scenery, the people and photography became the love of my life
2013: Went international, not commercial.
1967: Born on planet earth as not picture perfect material.
1977: Removed the washing machine and dryer from my parents washing room into the garage when they went away for a few hours and turned it into my OWN personal dark room.
1988: Started a career as a cameraman.
2006: Burned out.
2007: Restarted my first exhibition at the local cultural centre of my home town.
2008: Exposition at the local home town famous Belgian festival “ Lokerese feesten “ and suddenly the music of bands like “ massive attack ” and “ Felix the housecat “ was not the only thing people talked about.
2012: Serveral art fairs and exhibitions in Antwerp and i fell in love with the town, the scenery, the people and photography became the love of my life
2013: Went international, not commercial.
Accessible as from 01/04/2021
Accessible as from 01/04/2021
The electronic and printed version of the exhibition catalogues of Julio César Osorio
will be available at least one week before the start of the exhibition.
Franz Brülhart's painting leads back and forth, it is a whole system, a complex machinery of painting. ... In many ways, these photo machines go to the extreme. ... But the extreme concerns above all the daring with which the painter touches taboos of colors and motifs with a certain cheerfulness that is refreshing. "(Konrad Tobler)
"An encounter is offered here that does not stop at the skin. Although Franz Brülhart is committed to painting and thus a classic technique, he remains open to the image effects of the new media, blurring, fading and double exposure, for example, and thus for a contemporary look. It is hardly his aim, however, to combine painting and electronics. Rather, Franz Brülhart conveys something of through his penetrating and supporting layers of translucent colors that accompany the images, which can sometimes represent strict surface compositions, then landscapes to convey his gaze, his perception of personality and his character or even his dreams. In-depth clarification or irritation? " (Fred Zaugg)